Kirk Hunter Studios - Lyric Series String Quintet (KONTAKT)Kirk Hunter Studios - Lyric Series String Quintet (KONTAKT). Основная цель струнного квинтета Lyric Series - создавать музыкальные мелодические линии прямо из коробки. Кроме того, наша цель - сделать ваш рабочий процесс как можно короче. Kirk Hunter Studios - Lyric Series String Quintet. The primary goal of the Lyric Series String Quintet is to create musical melodic lines right out of the box. In addition, our goal is to keep your workflow as short as possible. It is not a “do it all” library, but we believe that the attention to the ability to create melodic lines makes this product very valuable. Download: Kirk Hunter Studios - Lyric Series String Quintet (KONTAKT) part 1 Kirk Hunter Studios - Lyric Series String Quintet (KONTAKT) part 2 https://www.youtube.com/watch?v=sRQ7lR58Woo While there are plenty of good-sounding solo string libraries out there, I found it interesting that for me, a professional string player, it took a lot of "fiddling" with the instrument to get really musical phrases and melody lines. It was easy to get nice "pads" and "fillers" for sure, but I really wanted a believable single, melody line. Nothing out there, not even my older libraries, seemed to capture that certain essence you hear when listening to a professional player unless you took a lot of time to tweak whatever you were working on. And live-playing? No way. Not "out of the box" anyway. INTUITIVE, STRING-ORIENTED LEGATO TRANSITIONS So in analyzing what string players do, it seems that a myriad variables came to play...so to speak. Bowing, slurring, vibrato (amount, speed and fade-in time), string crossing, left-hand-shifting, and more. With so many of these variables, it is hard to recognize a pattern so as to emulate this in a digital instrument. In fact, at this point in time, it's impossible. However, certain occurrences take place often enough to tell the listener, "yes, I hear this as a professional stringed instrument performance.", that one could, in essence, focus on those, and implement them judiciously. It's like putting in a few "aha" features that make for realism. So how has this been emulated so far? The best of them go to great lengths in using "legato" technology. That's great, except that with string players, it's never the same. Sometimes, there's a string crossing, sometimes a hand shift, sometimes a bow change.. and on and on. The easy ones to mimmic are the "slurred" or "fingered" transitions. That's because the player does not "bow" the interval, and does not shift the left hand during small intervals. So the "legato" transition is easy to capture. The trouble begins during the many transitions that happen during separate bowing or when a player shifts the left hand. While there is no easy way to capture all of these details, the one thing that seems to be loudly apparent is the sound that happens when string players play larger intervals on the same string. (Especially cellos) It's not really a true portamento and does not always happen. It seems to occur most when the players need to move their left hand up or down from it's current position to achieve the note. We have calculated certain probabilities of this happening during certain types of playing styles, and have successfully, to a point, implemented them into the instruments of the Lyric Series String Quintet. And it's all very dynamic depending on the way you play. UNRIVALED VIBRATO CONTROL The Lyric Series String Quintet instruments (except the Romantic Guarnerius Violin) all analyze your playing style and handle all three vibrato parameters (amount, speed and fade-in) accordingly so as to give you the closest approximation of a real string player's style. REALISTIC BOW CHANGES
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Ample Sound - Ample Bass P III...
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